The Projector
Faith, if you had it, could go missing
Prayer, if you knew how to do it, was a kind of trick
It helped to think of something big, like a sky burning pink
The tree I fear will die or be cut down by the one who owns property
Property being bigger than myself, the ownership of it
People gather on the legal strip of grass between curb and road
I wanted not to feel so sick with dread, but I did feel it
An aluminum can of water cost almost $4
I had it, and I would have it, but didn’t know how
Children on skis, the way some people’s lives unbent
Blackberry bushes growing in the woods outside a second home
A kind of bitter, eager fury that bites down on my throat
Having attended, for even a moment, a private school
What it meant, to be insulated from the so-called public
Staring at a beautiful hand on the train, a child with glove in mouth
As if anything unified such a procession of human life
The fragment fails to uphold anything like rebellion
Face of a new baby, seasick feeling of time annihilating itself
Some having ascended a ladder I had never been able to see much yet climb
An invisible rose tracking its invisible scent
An invisible bird who eats as its meal invisible bread
A woman’s only film found on reels in the studio garbage
Having lost the plot, I had only the sense of time repeating in vast, ugly loops
Perhaps my great accomplishment would be having had ideas, unrealized
The gorgeous single paragraph I wrote, unable to be written any further
The invisible apartment in which I lived with my invisible rent
Having attempted to outrun an unhappy marriage and found myself in a clotted field
Milk, left to sour, to make something more profound
Salt, which permeates the air, drying out one’s pink mouth
What will the baby's life be, my cousin asks, and I can’t answer
Darkly, with a sweet, purple urgency, desiring to go inside
What a mother was, I guess, a kind of vast, pink shield
The other child named Stephanie on the bus after her mom died, unfathomable
As if, my cousin said, everyone was entitled to a child, in the so-called normal way
There were futurities and distances about which I found it impossible to speak
My cat, after the enema, leaks dark shit around the house
There is no dignity, at the end of one’s life, nor the beginning
The circle was complete, the woman said, walking into sunset
Film on the subject of pornography, offering a kind of treatise on the eye
I’m just interested in the projector, I said in a message
Like how it flamed out of me, a violent gaze
I understood, in the cold morning light, the kind of knot it made
Invisible lock around invisible throat
Invisible knife vibrating under invisible pillow
Soon, the man says, they’ll have torn down every good, old house in this city
Beautiful to watch a man, even a killer, walk sorrowfully in front of a mural
Like what if you couldn’t help yourself, even if you wanted to
This was the real dream content, the fear of relief, clock unwheeling itself
A lapse, an error, a folded string of felt hearts
Desiring the kind of cluttered, easy beauty of one who enjoyed their life
A bare, seaside landscape stripped of romance
Having once been pressed against a tree in that forest, that cemetery
As if what made me alive was too much greenery to endure
Exactly at the point where the system transcends itself
My life given a responsible, feline focus, a serious understanding of faith
Imagining two cats named Gravity and Grace, like in a film
Like the absent novel with which I occupied my mind could come to exist
It was about shopping, and then about nothing, therefore, once named
Unable to, it was true, do anything but add to the pile
As in, an organizational system, socks knotted in pairs
On index cards, a kind of forgetful beauty, the system and its rupture
Each year each sweater made a little worse, almost unnoticed
Stale bread made edible by soaking in milk, ale, water, wine
Quality, the videographer says, meaning made with care and intention
What it did to one’s spine, to sleep and walk on unkind surfaces
Wasn’t worth thinking about, really, one’s teeth, until midlife
Someone says they like my hair, which I am about to cut
To my friend I said if you once did, then you still would
Then I stopped being able to believe it myself
First Reformed
“Thought is something the brain secretes.” — Bernadette Mayer
Shock reverberates through a life like rings of a tree.
I was trying not to think bleak thoughts.
Why, for instance, did I have to feel the spill of oil into water, from which nothing can be redeemed.
A woman describes Cabaret, the Nazi faces in the mirror, watching with grim certainty.
A human life was a struggle against all the wrong forces.
Life annihilated itself, laying down its tracks in the snow.
They fixed the organ so that God could enter the church through song.
“I don’t feel very much like singing,” sang the singer, in the voice of a soldier, in an age so long gone it feels like snow.
I knew what it meant to walk on a long road in a snowy New England, what was at the end of it.
The cup full of amber liquid, how it accrued meaning.
Meaning pooled in the street, an electric green liquid in which orange leaves curled, soaked.
Meaning was a bed of feathers in which a chicken came to roost in its own dead air.
A brain was like an animal, in that it moved, generating fluids.
I woke up bleeding, which happened hundreds of times.
I woke up with the cold net of the future braided to my eyes.
The desire to pray is also a form of prayer, the preacher says, which implies a hope I cannot bear.
The church emerges out of darkness while names unscroll onscreen.
A poem could not contain a film, but gesture at its grandeur.
I looked back and there was a long trail of blood in the snow.
I looked ahead and ashes mixed into a poisoned estuary.
A bird died against glass, a bird died eating trash.
One was meant to believe as well in perseverance, the unbridled creative possibilities for survival.
This had the property of applying a soothing balm on a blade as it sliced into flesh.
I slept in sheets that smelled faintly of piss.
Every day it got worse, it being conditions, the life we bore.
I had to find new forms of belief, a future that could exist, without constricting.
All anyone had to offer was endurance, sweat, the gritting of teeth.
Barbed wire wrapped around a human chest, like a rabbit.
There was love, and it had everything in it, and then it was gone.
The bleakness of personal suffering blooming out across a neighborhood.
Everywhere, trees blossom pink, in unseasonable warmth
It felt like yellow left, and then yellow did leave, gingkos dropping their leaves into golden piles.
A universal human condition of peering into unbearable darkness, historic.
One could find in the past comfort or horror, the pitted tunnels underlying the house of God.
Of the women in my family, I said, they survived.
They married violent men and made children and didn’t die.
It was a small comfort, back there, licking honeysuckle from a fence.
A farmhouse stood against a bare, mid-Atlantic sky.
A distant beach receded, further and further, until it disappeared.
The grey coast jagged with rocks and snails.
Some are called for their loneliness, the preacher says, an ability to sense the emptiness in all things.
For what had I been called, or why hadn’t I.
“I cry at the start of every movie,” a woman sings.
Human instinct for life against the limits, cold shearing blade.
A desire to be entertained by brutal, American spectacle.
A camera on a pregnant woman weeping while her husband rages in an antiseptic room.
I call this reality, and am made smaller.
The camera pans overhead deserts, tundra, forests, ocean, oil rigs, lumbermills, trees ravaged by fire.
The real detective sounds like a fictional detective, speaking into a tape.
Evil at the heart of American culture, and me enjoying it, on screen.
If I had to live with my own small miseries, and not turn them into anything.
If great art could not save me, because I could not make great art.
This lacerated more than any other indignity.
The sense of something larger, they say, offers resolve.
The smell of liquor on a woman who sobs in the back of the room.
The smell of death on a man who looks with sober eyes into the future.
The worse times will begin, he says, and a woman’s face remains calm.
It wasn’t God, who was wrong, but man.
I could see the kind of desperate pain that drove one to a cold, bare church.
Hope and despair poured into the same cup, pink opaque liquid pluming inside whiskey.
The only consolation was the thought of no consolation.
And yet I had once woken with faith and good cheer, on days like these.
The night did offer a soft regard, with blue gravity.
If I thought of a brain leaking in a jar I felt sorrow.
If I thought of the dead, life crushing itself, an abundant throttle.
This instance of futurity specific, yes, but also historic.
Once, a man lived who had to look out at a city gnawed by death.
I was not special, in this regard.
One way to endure the wave is to study the wave, its subtle textures.
The cloth containing blood and metal, a stripe of stars.
In a spare room, with a lamp like an eye.
The cold could widen one’s capacity for warmth.
The cold could enter one’s bones and, seemingly, fill them with air.
What even was the point of all this dutiful weeping.
A kind of puny and pitiful mourner, installed at the edge of a painting.
One had one’s repeating hands, and a fly that seemed to live forever, making itself again and again.
If, at the end of life, one had a vision of great love..
If slowing down meant the process of residual accretion.
If attendance to one’s suffering made one into a resolute mammal.
If winter meant knotting a frayed rope.
The discrete period one was in the middle of, without edges.
The sanded down memories of the city’s past, implying the shuttering of its present.
Having once loved a place, and felt it go hollow.
“All we really want,” the preacher says, “is emotion.”
The margin between truth and honesty, truth and description.
What a man writes and what a man means, or lives.